Designer Yoon Ahn on inspiration, demise and the doable foreseeable future of fashion

With strong roots planted in the earth of extras, about the many years AMBUSH has also produced its way in the outfits scene, investigating alone the methodologies and inspirations that distinguish the methods. The end result is a heterogeneous model, which draws from many creative and design resources to make […]

With strong roots planted in the earth of extras, about the many years AMBUSH has also produced its way in the outfits scene, investigating alone the methodologies and inspirations that distinguish the methods. The end result is a heterogeneous model, which draws from many creative and design resources to make them its individual, capable of presenting alone as a genderless and unisex choice to an significantly saturated and homogenous style business.

Fluidity and comfort are some of the key terms that make AMBUSH a manufacturer with a propensity for experimentation and innovation. It’s this tension that will make the home so dynamic. AMBUSH is a job aimed at defining a sort of trend that is comfortable, very simple but never predictable, and at occasions that walks on the threads of a purely conceptual fashion.

With potent roots planted in the environment of accessories, over the years AMBUSH has also designed its way in the apparel scene, investigating alone the methodologies and inspirations that distinguish the techniques. The final result is a heterogeneous model, which attracts from various creative and design resources to make them its individual, able of presenting alone as a genderless and unisex alternate to an ever more saturated and homogenous manner sector.

The new AW 21 AMBUSH collection proves all of this, a linear and seemingly critical wardrobe that also hides impactful tips, this kind of as acid shades and architectural silhouettes, and optical illusions conjured by a daring selection of materials. A selection that begins from the domestic dimension, the a person in which the designer Yoon Ahn produced it, and transports us into the environment of the excellent, the dreamlike and the surreal.

Go through below the job interview with Yoon Ahn and see the backstage photographs shot by Jon Bronxl for the duration of the AW 21 AMBUSH marketing campaign!

Every selection is a set of inspirations and a interaction resource. Could you notify us about your thoughts guiding the Autumn/Winter season 2021 co-ed assortment and what signals are you sending with it?
It is really a continuation of the SS 21 assortment. A wardrobe-pushed assortment grounded in reality, but this time I made it much more energetic by way of shades and waking up from the serene vibe all set to undertaking once more into the world.

AMBUSH FW21 backstage campaign

The pictures of the AW 21 marketing campaign shot by Harley Weir have aa highly effective, almost metaphysical nature. What is the all-natural ingredient that signifies you the most?
Illustrations or photos shot by Harley are quite impressive. I appreciate the blur of the occasions, and certainly I have hearth and air in me, so I feel these elements characterize me.

I fully grasp that time proportions are important to the idea of the AW 21 marketing campaign. Why 12am 6am 6pm do participate in a essential function in this inventive approach? Are these a kind of angel figures?
Tentatively speaking, those people are the instances when the sun rises, at the substantial position and sets to seize the feeling of time. Also, there is a little something quite geometric bout the layout of 12, 6, 6 so we went with this.

A few text that explain how you want your selection to make persons feel when they wear it.
Ease, cozy, ignited.

AMBUSH FW21 backstage campaign

I have go through your current discussion with Kazuyo Sejima revealed in the AMBUSH Universe and you both equally talked about our age driven by algorithms and AI. How do you imagine a distant potential of trend?
We are in an age driven by information and algorithms. Thriving data and analytics transformation can aid us in several spots of our life having said that, what separates human beings from the machine is the functionality to feel on our own with consciousness. Machines execute as they are taught. In distinction, style is not an automated factor. We have the functionality to envision and do one thing uniquely initial. I hope designers can embrace getting even much more human by exercising their have will through reasoning and morally conscience innovation.

How does what comes about in the earth transform into your function?
I normally browse and seem out to have some kind of ‘Aha’ moments by connecting dots I detect. These matters all completely transform into my function. 

AMBUSH FW21 backstage campaign

Do you have a motto or any procedures you reside by?
‘We are all dying, each and every second that passes of every single day’. That is the inescapable reality of this existence. I really don’t discover this unfortunate nor depressing. It truly is simply just a truth and a reality. We typically go through lifestyle as if we will have a number of chances and we will go on as if we are gonna are living endlessly, but we are rather futile in the scale of the universe. Keep in mind that estimate will help me to reside and respect almost everything that arrives by means of everyday living.

What suggestions would you give to youthful designers?
Master and constantly review. When you are younger, you obtained time to dabble at each and every placement to see what you lean in the direction of and really feel most pure at. So you need to often navigate in the course of your job this way, doing best at what you feel most joyful with.

AMBUSH FW21 backstage campaign
AMBUSH FW21 backstage campaign
AMBUSH FW21 backstage campaign
AMBUSH FW21 backstage campaign
AMBUSH FW21 backstage campaign
AMBUSH FW21 backstage campaign
AMBUSH FW21 backstage campaign
AMBUSH FW21 backstage campaign

Credits


 Photography Jon Bronxl

Lan Kilian

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